Rencontre Charles Dutoit & Yunchan Lim – Mozart & Chopin

Rencontre Charles Dutoit & Yunchan Lim – Mozart & Chopin

Rencontre Charles Dutoit & Yunchan Lim – Mozart & Chopin

Rencontre Charles Dutoit & Yunchan Lim – Mozart & Chopin
Dates: Thu 16. May 2024
Venue: Concert Hall
Wheelchair tickets: +41 (0)41 226 05 15
Doors Open: 18:00 Uhr
Start: 19:30 Uhr
End approx.: 21:25 Uhr
Mit 25 Min. Pause
Dates: Thu 16. May 2024
Venue: Concert Hall
Wheelchair tickets: +41 (0)41 226 05 15
Doors Open: 18:00 Uhr
Start: 19:30 Uhr
End approx.: 21:25 Uhr
Mit 25 Min. Pause
Artists:
Charles Dutoit - Leitung
Yunchan Lim - Klavier
Luzerner Sinfonieorchester
Info:

PROGRAM

Igor Stravinsky (1882 - 1971)
"Jeux de cartes"

Frédéric Chopin (1810 - 1849)
Concerto for piano and orchestra No. 2 in F minor op. 21

Wolfgang Amadeus Mozart (1756 - 1791)
Symphony No. 41 in C major KV 551 "Jupiter

Program subject to change

Stravinsky was an enthusiastic poker player. The stakes are also high in his ballet music, “Jeux de cartes”. Here, cunning and intrigue set the tone of the card game, and a guileful joker keeps disturbing its course. It is all highly amusing and very exciting. A good hundred years earlier, the 20-year-old Chopin wrote his F minor Piano Concerto. It was a contented period of his life. He had successfully completed his studies at the conservatoire and went on to spend happy, stimulating months in Warsaw with his family and friends. This can be heard in his piano concerto, a light-hearted but equally intimate work, with a youthful delight in pianistic virtuosity characterising almost every bar. A further thirty years earlier, on 10th August 1788, Mozart entered his freshly completed Symphony K. 551 into his catalogue of works with the following words: “ Eine Sinfonie. – 2 violini, 1 flauto, 2 oboe, 2 fagotti, 2 Corni, 2 clarini, Timpany, viole e Baßi.” It was to remain Mozart’s last symphony, and only received the epithet “Jupiter” with the romantic notions of the 19th century. It is indeed sublime, perhaps even “godlike” music, a high point in Mozart’s oeuvre, especially in the artfully constructed final movement, which almost overflows with ideas. This is Mozart at his best, exuding a creativity that knows no bounds

18.30 Sounding concert introduction with students of the Lucerne School of Music | Bettina Gfeller, moderator

Vouchers
KKL vouchers for LSO concerts, can only be redeemed by phone or mail. Kontakt


So wird Ihr Besuch zum Gesamterlebnis:
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